Carcel de lujo – 2017,
Spray can for barbecue and car, swiming pool of Lugar a Dudas residency
Endless Hope – 2016,
The dislocated thought – 2016,
Modified fan wing, main exhibition room of Clark House, Bombay
Sans titre – 2016,
Expansion de la prevision – 2017-2018,
Video excerpt edited from actions made in Cali, Colombie.
More info here
Matar dos pajaros de un tiro – 2017,
Polarised paper, motion sensor and light device, mixed media
Hidden Skylines – 2017,
Two fake telescopes, two different public spaces near and inside the 3rd Kochi-Muziris Biennale in Kochi, India. Interactiv device, Mini screen HD, vidéo, loop, without sound
With the support of The French Institut, The Embassy of France in India, and The Biennal Fundation
Les cîmes sans suite – 2015,
Pine needles, garbage. On a ten meter length, the top of the main wall of the exhibition was furnished with « spike anti pigeon » compounds of pine needles found in La Friche la Belle de Mai. Garbage and other natural elements were inserted as if they had fallen above. Because of its place and the lack of indication (no cartel) the installation escaped with regard to a big part of the spectators. Benefiting from this discretion it continues to exist from exhibition to exhibition without being removed.
Petites formes – 2016,
Effervescent tablets (paracétamole, vitamins) dissolved and remolded from the rests. Bases in diverse stones, variable dimensions. In this version, global base in plywood Oukoumé, 150 x 130 cms
Petites formes – 2015,
Effervescent tablets (paracétamole, vitamins) dissolved and remolded from the rests. Bases in diverse stones, variable dimensions.
Recel de toi – 2015,
Glass portfolio, sketches and papers of Morgan Courtois found in trash cans near his studio, 72 x 50 cms. 3 unique edition.
L’ordre des références – Since 2012,
La poursuite des origines – 2016,
Color poster, ink drawing on typing paper. A drawing was placed outside of the window of the gallery and attached in the back of a poster making the advertising of the inaugural exhibition of the De Roussan Gallery. The drawing attached behind the advertising could be only seen by a person who goes inside the gallery. The drawing was for sale in the gallery for 1000 € but everyone was free to take it from the outside.
The drawing/poster has stayed for 3 weeks before someone take it.
Tenda – 2014 – 2015,
Three rows of mixed Italian and African curtains, 500 x 50 x 260 cms. Video projection, 6 min, loop
With the support of the foundation Pino Pascali
Local Fourniture – 2014,
Stones dug up in the countryside between Conversano and Bari, Italy. Desk chairs, diverse plastics and blister pack. Variable dimensions
Terrain Vague – 2014,
1000 factory coconut brush, fall of albaster. Variable dimensions – here, 40m²
Hidden Landscape – 2012,
Telescope modified (157 x 35 x 35 cm) Mini screen HD, vidéo, 6 min 47 sec, loop, without sound Peace Observatory, Cheorwon
With the support of samuso : space for contemporary art, Art Sonje Center Seoul, Baeksan Production
To see the Video
Wast of Secret – 2011,
Conteneurs à déchets, mécanismes de coffre fort à code digital et empreinte biométrique, 95 x 46 x 37 cm. Des mécanismes de coffre fort sont extraits de leur contenant d’origine puis adaptés à des conteneurs à déchets. Les poubelles sont ainsi re-fonctionalisées en des coffres forts que les spectateurs peuvent tenter d’ouvrir.
Calibri – 2011,
Eleven silencers of weapons joint between them. Variable dimension.
Zones d’Ombre – 2011,
Birch, Beech, glass of poplar, sycomore. Flexible structure. Sculpture inspired by solicitor’s table designed in the XVIIIeme century, at the origin of expression «les dessous-de-table», provided with a single sliding drawer which allowed to make documents pass secretly. In this sculpture the principle of the crossing drawer is updated in a network of tables in outlines of tax havens. This structure can be modulated according to the places where it is exposed.
Above : the sculpture spreads its network in all the basement of the going gallery to contaminate the private parts (place of stokage, cooks) forbidden and hidden from the spectators.
Approche économique – 2012,
Medium, fir tree, pedestal (250 x 250 x 30 cm) Automated light device, green painting, phosphorescent ink With the support of the Centre Pompidou Metz — Models of continents and drawers are scattered on a pedestal marrying the outlines of the room put into the darkness. Walls were repainted in a made green so that phosphorescent registrations remain invisible when they are not charged by the light. In the room, in the centre, a 1000 watt projector is programmed to charge randomly every section of wall. During approximately one minute the spectators can read the registrations (list of fiscal paradises, system an plan of fraud etc.) to reconstruct the sculpture.
Un balcon sur l’A86 – 2011,
View of exhibition « 2000 – 2010 », Art center of Rueil-Malmaison. Heap of vegetation and broken balusters formed during the restoration of the balcony, two photos of the balcony of the inside of the park of Rueil-Malmaison, before and after the intervention, text and map. — After its restoration, the balcony was integrated into the organised trip « Joséphine’s tea » where tourists come to take the thè in front of the A86, the Cofiroute and the Mercedes Benz factory.
Les dessous-de-table – 2009,
Plywood birch, fir tree, beech, 287 x 267 x 94 cm.
Sculpture initially planned for the museum of the French military plans-reliefs in the Invalides. High rises around the construction site of the ground-zero are knocked down and hold an enigmatic surface. The visible network of bars above the surface is inspired by a mode of assembly used by the engineers to build and strengthen the plans-reliefs
Total Vanité – 2008,
Wood, plastic bottle, Coca Cola, model of oil tanker broken in two. 32 x 10 x 15 cm
Logique de la distance – 2007,
Parts of used clothing (sockes, pant, shirt, t-shirt), clothing tag, cotton. 15 x 10 x 5 cm